Florence Meade

Things I Make and Do

He Said

“I don’t know what else I can say,
I could hang on the ‘phone anyway
And just listen to your static.”

I’m ecstatic

Let me know if you’d like to just sit back and watch the occurrence in silence…

 

Town

Engines groan, urging and streets sigh
Fight and win or lose and die
White frames and harsh lights for the new under glass
Dirty mouths and dark shadows for the old in the underpass
Bodies sat in chairs, chattels hanging, wired in
No-one knows the future but they keep on spinning
Vigilant faces scan the melee
Empty hearts that make their way
Check in on themselves once in a blue moon
How do you feel? Who are you?

New Pot – Flowers and Yellow

I discovered this applique technique just before finishing the course and I wish I had had more time to explore it further. I also developed a new style of lip with this pot by thinning and cracking the dry clay. I had previously discovered that glaze Antique Pewter produces a green verdigris colour when mixed with ordinary white glaze, so I applied it over white glaze to produce the green colours on this pot.

Verdigris and Flowers

Lovely

Today my heart feels full, like a comb full of honey
Swollen like a harvest moon it presses on my chest
Making my breaths short and my temperament cross
Anxiety looms

 

Hope that is slightly less bad now?

New pot – White and Verdigris

I used Antique Pewter and white glazes to produce the verdigris effect, which on this particular pot is more of an aquamarine colour than the mossy green that I always seemed to get thereafter.

White and Verdigris 2

Personal Information Grab

Untitled

 

Lakenheath Fen and Marsh Harrier

On a windy April day with sunny spells we watched Marsh Harriers through our binoculars.

01 Lakenheath Fen with Lata, Pad and Tom

A Marsh Harrier, my contribution to Cambridge Community Quilt.

IMAG0243

Marsh Harrier painted at school after work experience at Wicken Fen.

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Fishy Wish

Beautiful Fish

New pot – Blue Brown

 

Blue Brown 5

This pot was shaped and textured to look like fungus. Two glazes were applied at different concentrations with brush strokes to flow with the texture on the surface. Solid blue colour was applied inside.